Concert Reviews

May 28, 2013

Mahler Symphony No.2 – Oslo Concert Hall, Norway

23 May 2013
Oslo Philharmonic Orchestra and Choir
Øystein Fevang, Inger Dam-Jensen, Nathalie Stutzmann

“On the programme this evening was Mahler’s giant Second Symphony, a multifaceted piece, ending with perhaps one of the most glorious choral finales in all of music. It was a rather fitting piece for Saraste’s last concert as chief conductor: not only is the symphony with its theme of resurrection a rather fitting metaphor for the Oslo Philharmonic, but Saraste is also renowned for his interpretations of Mahler, of which there have been quite a few here in Oslo.

Jukka-Pekka Saraste has helped raise the musical level of the Oslo Philharmonic to quite possibly the highest they have ever been, something he definitely proved at Thursday’s concert.”

28 May 2013
Aksel Tollåli, Bachtrack.com

May 7, 2013

Brahms Piano Concerto No. 2/Sibelius Symphony No. 5 – Berlin Philharmonie, Germany

7 May 2013
Oslo Philharmonic Orchestra, Arcadi Volodos

“Steeped in tradition, the Oslo Philharmonic has nevertheless seen its sound evolve in Saraste’s hands, a sound which seemed compact, never dry, perhaps even radiating that Nordic austerity, which sits naturally with Brahms so well.”

Klassik.com

“Jukka-Pekka Saraste conducts the music of his Finnish compatriot with great intensity. And gives the enthralled audience two encores as well.”

Badische Zeitung

Apr 19, 2013

Schoenberg/Korngold/Beethoven – Cologne Philharmonie, Germany

19 April 2013
WDR Symphony Orchestra, Cologne, Vilde Frang

“This Beethoven symphony, already poised on the brink of romance, was delivered by Saraste as straightforward and fiery. Especially the lyrical Larghetto had tremendous flair.”

22 April 2013
Kölnische Rundschau

Jan 19, 2013

Beethoven/Hakola/Shostakovich – Cologne Philharmonie, Germany

18 and 19 January 2013
WDR Symphony Orchestra, Cologne, John Storgårds

“Naturally Saraste, a violinist himself, pays extra attention to the strings. They played with such rare cohesion, delicate sound, vitality and energy, that it was a pure joy. Above all, the entire orchestra was not inattentive for a single second in the considerably demanding Shostakovich.

The frenetic applause was testament to this both physically and artistically impressive performance.”

21 January 2013
Johannes Zink, Kölnische Rundschau

Dec 17, 2011

Kurtág/Bartók/Sibelius – Barbican Hall, London

16 December 2011
BBC Symphony Orchestra, Hiromi Kikuchi, Ken Hakii

“Saraste and the BBCSO gave superbly concentrated performances of Sibelius’s symphonic thinking at its most distilled in the Sixth and Seventh Symphonies. It was compelling to hear the works together, their scale passages forming a Jacob’s ladder of awe and aspiration in the exuberant momentum of Saraste’s direction.”

19 December 2011
Hilary Finch, The Times (UK)

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Oct 25, 2011

Sibelius/Beethoven/Brahms – Royal Festival Hall, London

21 October 2011
London Philharmonic Orchestra, Thomas Zehetmair

“Saraste is fascinating to watch, especially without a score. He holds his arms high and tends not to use his wrist to indicate the beat, so his whole right arm keeps everything together, while his left arm – always raised, with hand held flat – seems to be able to keep the musicians under check. Although his left palm usually faces down, it can be extraordinarily expressive, moulding the music in mid-air. Saraste, like Bernard Haitink, knows where the music is going and is expert in building the architecture always with an eye to the climax of the piece. Here, after teasing out countless felicitous timbres that made you wonder whether you’d heard Brahms quite like this before, he unleashed the ultimate coda with an extraordinary whiplash of energy that took the breath away.”

25 October 2011
Nick Breckenfield, Classicalsource.com

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